The Audio Archive
Explore our complete collection of curated insights, technical reviews, and buying guides.
Soundcore AeroFit 2 Review: The Fit Is the Feature
Open-ear earbuds sit outside your ear canal rather than in it, which buys awareness and comfort and costs bass. That trade is fixed by physics and no brand escapes it. What separates a good open-ear pair from a bad one is much smaller and much more practical: whether it sits in the right place on your particular ear, because a driver that is a few millimetres off is pointing its sound somewhere other than at you. The AeroFit 2 is built around that problem, and it is also carrying a headline feature that deserves more scepticism than it usually gets.
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September 2026 Headphone Deals: Which Ones Are Real
Amazon shows a crossed-out number beside a discounted headphone, and that number is a manufacturer list price rather than a record of what the thing has been selling for. We have been recording the actual price of every product on this site since late July, which makes a different check possible: not how big the discount claims to be, but how the price today compares with the prices we have watched it hold. Six headphones are on limited-time deals as this is written. Two of them are worth acting on, and one of them is a four-cent discount wearing a badge.
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HyperX Cloud III vs Cloud III S: Worth Going Wireless?
These are the same headset twice. Angled 53mm drivers tuned by the same engineers, the same aluminium frame, the same memory foam, the same detachable boom microphone with its mute light. What sixty dollars buys is the removal of a cable — and, on the listings as written, it also changes which consoles the headset says it works with. That second part decides this comparison for more people than the price does.
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Logitech G935 Review (2026): Eight Hours of RGB
The Logitech G935 was the company's flagship wireless headset when it arrived in February 2019, and it has been quietly outlived by cheaper models that last three times as long between charges. It is still on sale, it has dropped in price, and its 50mm drivers are still the largest Logitech puts in a headset. Whether that adds up to a good buy in 2026 comes down to one number on the box, and to whether you sit near a USB port.
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Soundcore Space One vs Q30: Voices or Battery?
This is the rare comparison the manufacturer has already set up for you. Soundcore's own listing for the Space One footnotes its voice-reduction claim as measured against the Q30 — the headphone it replaces in the range, and still sells alongside it for less. So the question is not which company makes the better pair. It is whether the specific things the Space One improves are the things that bother you, and whether they are worth giving up ten hours of battery and a wired option to get.
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Avantree Ensemble Review: Check Your TV First
Most product listings open with a benefit. This one opens with a warning, in brackets, before anything else: your television must have an optical or 3.5mm output, HDMI-only sets will not work, and soundbar passthrough is not supported. That sentence decides the purchase for a large number of the people who will read it, because televisions have been quietly dropping optical outputs for several years. Everything else about the Ensemble — and it is a thoughtfully built thing — only matters once you have gone and looked at the back of your TV.
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Logitech G Pro X Review: The Features Need Windows
The listing says it twice, in a sub-clause both times: the microphone processing and the surround sound each require the included USB sound card, a Windows PC, and Logitech's software. That sentence is the whole review. Plug this into a PlayStation controller and you get fifty-millimetre drivers, a steel headband and a detachable microphone — a good wired headset at ninety-odd dollars, and none of the two things the box is actually selling. Which of those two products you are buying depends entirely on what you plug it into.
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Soundcore Space One Review: Aimed at Voices
This site has written the same sentence on every set of cancelling headphones it has covered: noise cancellation flattens steady low-frequency noise and does very little about people talking. Soundcore has built the Space One around a claim aimed squarely at that — twice the voice reduction, mid and high frequencies specifically. It is the first budget headphone in a while to advertise progress on the hard problem rather than a bigger decibel number on the easy one. Whether it has actually made that progress is a more careful question than the box allows for.
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BlueParrott B450-XT Review: Built for the Cab
The accessories tell you what this is before any specification does. In the box: a vehicle charger, two microphone windscreens, and a spare set of ear cushions. Nothing about that list is aimed at a desk, a commute, or a gym. The B450-XT is built for people who spend their working day in a vehicle cab with the window down and the engine running, and almost every decision in it — mono, over-head, twenty-four hours, three hundred feet — follows from that. Judged as headphones it is poor. Judged as the tool it is, very little competes.
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Shure SE215 Review: Isolation Without Electronics
Almost every set of earphones this site has reviewed this year blocks noise the same way: microphones listen to the room and a processor generates the opposite waveform. The SE215 does none of that. It has no battery, no app, no chip and no cancellation, and it blocks more of a noisy commute than most of them — by sealing your ear canal shut. That is a different mechanism with different limits, and the difference decides whether this is the right purchase or completely the wrong one.
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